Discuss and explore the evolution of the vampire in the Research Paper

Discuss and explore the evolution of the lamia in the litearature,film,and frequent culture - Research Paper ExampleThrough it all, the vampires in vampire lore, and Edward in Twilight meditate societal consciousness, while assisting society in accepting that sometimes that which might seem evil is non really. The vampire is emblematic of all of these feelings of desperation, torture and loss, as well as being a symbolism of destructive power and abstract horror, that invades our imaginations and sensibilities. As a symbol of desperation, however, the vampire perhaps has more in common with the desperate French nobility during the time of the French Revolution, such as the Princesse de Monaco, a gentlewoman of the house of Choiseul-Stainville who died at the guillotine in 1794 (Loomis, 333). This is because the vampire is often the epitome of nobility, and well-groomed horror, and is often portrayed as wealthy (Abbott, 52). That said, the essence of the vampire is often despera tion, even if the image is not of nobility. Part of their desperation comes from their attitude as being outsiders in society, an alien other. This causes the vampires to be stunted in their growth, as they cannot grow spiritually, in character or in relationships (Auerbach, 112). They have pathos because of their misrecognised identities, as they are innocent, but their innocence is hugger-mugger by their bodies, who are the very essence of evil. The modern vampires of the twentieth century, states Beck (94), as the allure to modern audiences because of their sense of pathos about what they are and the fact that they are painfully aware of their outsider status. Yet they overly are a mirror for the desperations that human beings feel as well. Therefore, their desperation is felt not tho by themselves, but also performs the function if reflecting mankinds own desperation. For instance, Bradshaw (2), tells of a psychologist who, upon reflecting upon a human patient who finished the helpless for profit and created a hellish home for the aged remarked about a vampire was not her first predator that she had spangn, but, rather, was just more honest and direct about it. In other words, the vampire is reflecting the desperation, or, in this case, the degradation of the human, and the vampire thus serves this excogitation. The vampire also should not really be considered to be an outsider because he is so much like the human, only better, as he does not reach to hide who he is, where a human might. Butler (1735) concurs. She states that the vampire is an embodiment of the monster within us, and serves the purpose in showing that human monsters are not so bad once you get to know them, while also allowing us to feel powerful as the monster himself. For Butler, the vampire is the embodiment of evil, yet, with their harness of wealth, they make the evil somewhat appealing and with positive aspects. The vampire also is portrayed as a hag-ridden being, much lik e the prisoners were tortured in the Bastille during the French Revolution. The torture sometimes takes the form of material physical torture, such as the scene in Return of the Vampire (1943), in which the vampire is dragged into the sunshine and staked, leaving behind a rotting corpse(Gordon and Hollinger, 58). In Horror of genus Dracula in 1958, the death of Dracula by sunlight is presented as a painful attack upon the victims body...burning the vampires skin to ash. (Gordon and Hollinger, 101). The victims of the vampires are also tortured beings, such as the victims in George Romeros Martin. These victims have their wrists slit with razor blades, as the